Tuesday, December 27, 2011

Flix Rant: My Inner Feminist Is Coming Out

Last night, I sat down and tried to watch Frank Capra's 1934 Oscar winning movie, It Happened One Night. Looking at the movie I was immediately irritated that the same thing was going to happen like it did with His Girl Friday, when I reviewed it.  Maybe this is my 21st century mind at work, but I have to say, "Why do these women end up with these assholes?"

I know that it was a different time, but come on people! For examples, Claudette Colbert is a socialite who marry a man against her father's wishes. She leaves for New York. I was rooting, "Good for you, girl." Then, the cad has to come in the form of Clark Gable as a boozy newspaper reporter who treats her like shit. She swoons over him, please!

I had the same gripes with the The Philadelphia Story as well with the brash Katharine Hepburn has to end up with the ex-husband in the end. I'm sorry, I spoiled that for everybody, but I have to get my point across.

Why couldn't these women be happy and content, instead of settling with a man that is no good for them?

This is not an old thing. There are prime examples of movies today with the same premise that had me scratching my head. Even though, I thought that The Ugly Truth was a piece of shit. I was infuriated that a woman (Katherine Heigl) would swoon over Gerard Butler. Besides the fact that he is hot, his character was an abrasive prick. Would you ever say those things to the woman that you supposedly "love"? Fuck off. She would drag Eric Winter around like a rag doll and discard him for the asshole. Really, girl? Really?

I also had a problem with You Got Mail that Tom Hanks character's completely destroyed Meg Ryan's family bookstore in order to buy it for a major corporation and she falls for him. Just like that. Are you kidding me? Grow a pair of ovaries, ladies. Get a man that will not do you wrong. You don't see woman of color dealing with that shit. They ain't having it.

All I am saying is that I am getting sick and tired of these poor defenseless women having to settle the first man that show them any kind of attention. I needed to get that out.

Monday, December 26, 2011

A Raisin In the Sun

A Raisin in the Sun (1961)

Directed by Daniel Petrie

Written by Lorraine Hansberry

Based on the play by  Lorraine Hansberry

Stars: Sidney Poitier, Claudia McNeill, Ruby Dee, Louis Gossett Jr., Diana Sands, Ivan Dixon, John Fiedler and Stephen Perry

I wanted to give all my readers and my sister-in-law a nice After Christmas present, me reviewing a black movie. It's a miracle, everyone. Rejoice!

Anyway, I hear about A Raisin in the Sun for a while now. I always wanted to see it, but I never got the chance to until recently. I am so glad that I did.

Three generations of the Younger family are living in a cramped two bedroom Chicago apartment. Walter (Poitier) tries to make sense of his place in the family unit when a business of investing in a chain of liquor come up. He needs the money to put in a down payment. The only he could get that is from the insurance money that would be given to his mother, Lena (McNeil). The Younger family try any way they can to get out of the muck they are stuck in.

Being that this was play adapted to the screen, I did not feel that it was just a play translated to screen. It felt raw, real and uncompromising with the desperation that these people are feeling to get out of their circumstances. You wonder who do they not kill each other?

The performances of the main actors were great, except  I had some troubles with Poitier. His movements felt over-dramatic sometimes. He originated the role on the theatrical production. It shows on the screen. I though that Claudia McNeil was a tour de force at the matriarch of the family. You felt her pain and anguish of see her husband die, her daughter being lost to the world and her son struggle to the man of the family.

This is a fantastic piece of work that should have gotten a lot more attention than it did.

My Rating:

Tuesday, December 20, 2011

The Expendables

The Expendables (2010)

Directed by Sylvester Stallone

Written by Sylvester Stallone and David Callaham

Stars: Sylvester Stallone, Jason Statham, Randy Couture, Terry Crews, Jet Li, Dolph Lundgren, Bruce Willis, Arnold Schwarzenegger, Eric Roberts, Steve Austin, David Zayas, Giselle Itié, Charisma Carpenter and Mickey Rourke

This movie was touted in being the best "B" movie to be released. I think that statement is true. It has all of the action stars from yesteryear in this movie. I knew the movie would be stupid fun like The A-Team. I was prepared to see non stop action, blood, fights and big ass motherfucking guns. I was a happy boy.

A group of over-the-hill mercenaries are sent to impossible missions by Tool (Rourke) in order to save hostages from terrorists. During one mission, a team member goes rogue, Gunner (Lundgren) and team has to recovery. When a handler named Church (Willis), tells the the Expendables about a plot to assassinate an overzealous dictator from the island of Vilena, General Garza (Zayas) and a former CIA operative, James Munroe (Roberts) who is trafficking cocaine with Garza's daughter, Sandra (Itié) as a bargaining chip.

This movie is not made for film critics. This is made for the teenage boy in all of us that wants to see guys fighting, blowing shit up and have bazooka guns in their hands. It's like porn. You would cream in your undies watching this movie.

I was not expecting an intricate plot or compelling dialogue. I was looking for balls to the wall action. There were some instances that I cringed. When Gunner blew a guy away in half, I was like "Whoa". Terry Crews as Hale Caesar with his bazooka tommy gun was EPIC. Jason Statham as Lee Christmas throw knives into bodies that I didn't know was humanly possible.

The movie is awesome. I enjoy every minute of the movie. I had a good time. You should as well.

My rating:



Monday, December 19, 2011

La mujer sin cabeza

The Headless Woman (2009)

Written and directed by Lucretia Martel

Stars: María Onetto, Claudia Cantero, César Bordón, Daniel Genoud, Guillermo Arengo, Inés Efron and María Vaner

I know that you guys thought that I was thinking another "vacation" from viewing movie, but I had some personal problems that I had to deal with. I hope you understand. Back to the reviewing.

I have always wanted to watch Lucretia Martel's The Headless Woman for a couple of years since I saw the high Metacritic score of 81. I always mistaken this movie for An Unmarried Woman from 1978 with Jill Clayburgh and Alan Bates, which I haven't seen. Maybe one day.

The movie is very subtle in the way that the story is told. A affluent dentist named Vero (Onetto) is distracted on a deserted road and runs over something. She doesn't stop to see what she hits. She drives on. In the days after the ordeal, she is in a haze. Vero is guilt-ridden that she might have a killed a person. Her family thinks that she has simply run over a stray dog. The notion of what she might have done weighs heavily on Vero's conscience.

This is a slow burn kind of movie. You are not spoon fed what exactly is happening with the story. I believe that Martel wanted to leave the story open for interpretation as to whether Vero committed a hit and run or it was all in her mind.

I believe I know what really happened and a couple of critic agree with me. This film is not for everyone. There are those that will get bored and those that will not get it entirely. That's fine. I think that it is a fine piece of work that I crave for instead of the remakes, sequels, prequels that are clogging up cinemas now. I long for a movie like this.

My rating:



Friday, December 2, 2011

Final Impressions - 12/2/2011

Hmm. There is no major releases this week. We have a bunch of Oscar movies starting their limited runs. Let's get started, shall we?

Directed by Steve McQueen
Shame

This is the third collaboration between director Steve McQueen and lead actor Michael Fassbender.

I covered the latest trailer a couple of weeks back. I love that a movie would be released with a "NC-17" and they don't give a fuck about appealing to the MPAA. Usually, the rating will be the death of box office potential. Possibly the awards buzz with it could help it stay afloat.




Directed by Takeshi Kitano
Autoreiji

I don't know anything about this movie.

Here is the synopsis of the movie from IMDb: "The boss of a major crime syndicate orders his lieutenant to bring a rogue gang of drug traffickers in line, a job that gets passed on to his long-suffering subordinate."

It seems like another gangster story. Next.




Directed by Julia Leigh
Sleeping Beauty

This is not fairy tale story about the narcoleptic woman that has to wait for a guy to wake her ass up. This movie is about Lucy (Emily Browning), a young university student drawn into a mysterious hidden world of unspoken desires. Okay.








Directed by Michael F. Sears
A Warrior's Heart

This movie was supposed to come out last year, but it didn't. I wonder why. Because it's shitty. It has a shirtless Kellan Lutz, Chord Overstreet and some other chicks. Blah, bah, blah.

Disposable movie.






Directed by Matthew Leutwyler
Answers to Nothing

I saw the trailer for this movie. My reaction was meh. It stars Dane Cook--wait, hold up--he is the lead of this movie. Ahahahahahahahahahahahahahahaha!

Am I being punked right now?

Tuesday, November 29, 2011

Bikur Ha-Tizmoret

Written and directed by Eran Kolirin

Stars: Sasson Gabai, Ronit Elkabetz, Saleh Bakri, Khalifa Natour, Rubi Moskovitz, Uri Gavriel, Imad Jabarin, Shlomi Avraham
The Band's Visit is one of those movies that have been talked about and universally praised that I had to see what the fuss what about. Seeing the movie on the library shelf, I was hesitant that I might not like it. I did. A lot.
The movie is about a group of Egyptian police musicians called Alexandria Ceremonial Orchestra travel to Israel for a last ditch effort to save the band from budget cuts. Upon arriving what they think Beit Hatikva instead of Petah Tiqva, they have to stay with a worldly diner owner, Dina (Ronit Elkabetz) for the night. These people that should be enemies find a common bond around music.
The film won the Audience Prize Prize at the Cannes Film Festival. It was a lock to be nominated for the Best Foreign Language Film Oscar, but the movie was disqualified because most of the film's language was in English.

Doing a movie with competing nationalities can be tricky. It could go in Crash territory really fast. The movie as a whole is a comedy of errors of sorts. The humor is from the uncomfortable silences as some people are stuck in their ways while others did not.

I enjoyed the natural progression of the relationship between Dina and leader of the group, the uptight Lieutenant-colonel Tawfiq Zacharya (Sasson Gabai). You would never think think these people would form a bond and they managed to do that beautifully. There was one scene that made me choke up when Tawfiq told Dina about his son.

The best focal point of the movie was the music. I don't know that much traditional Arab music, but I was enthralled. This movie really should be experienced once.

My Rating:

Trailer Tuesday - 11/29/2011

I hope you guys recovered from your turkey hangovers to watch a couple of trailers that were released over the Thanksgiving holiday. Just two.



The first trailer for "The Rep" is a documentary about repertory theaters. What is a repertory theater, you ask? It is a theaters that shows classic movies. Nowadays with everyone going to see mindless blockbusters and renting movies on Netflix, these theaters sere struggling to stay afloat. The movie is still in production. It was conceived to be a web series, but with enough good word of mouth it might come out in theaters.



There is the trailer for Ed Burns next directorial effort called "Newlyweds". Ed plays Buzzy (try not to think of bees) who is living in NYC with his new wife, Katie (Caitlin Fitzgerald). Their quaint life is torn asunder when Buzzy's rebellious sister, Linda (Kerry Bishe) comes into town and stays in their apartment. As you may have guessed, their lives turn upside down. The movie opens on December 26th.

Wednesday, November 23, 2011

Final Impressions (Holiday Edition) - 11/23/2011

Since Turkey Day is happening on Thursday, the movies are coming out in full force today. The picking are better this week than last week.


The Descendants

It has been seven years since Alexander Payne has a directed a movie since Sideways. His follow up in another loosely adaptation of the a book. People are talking about George Clooney being a front runner for the Best Actor Oscar.

The setting is in Hawaii. It looks nice. I heard some news that the movie is not all it is cracked up to be. It seems like one of those movies that is being hyped up for no payoff. I could be wrong.



The Muppets

It has been awhile since a Muppets movie has hit the big screen. Jason Segel tries to recapture the magic of the nostalgia from people who have grown up with them and kids that are just introduced to them.

The movie is like The Smurfs were humans are introduced to the cartoon characters.

It all seems a little meta like the original movies were.



My Week with Marilyn

Opening in limited release is the movie that is getting Michelle Williams a lot of Oscar attention.

I heard about this movie when a rival Marilyn Monroe movie was in production at the time. People are talking mainly about Michelle. Not much else.





Hugo

This is Martin Scorsese first foray in having a 3D feature. It's a based on a beloved children's book. I wonder what the movie is going to be like without the guns and f-bombs.







A Dangerous Method

Here is another Oscar contender that is opening in NYC and LA. There is a lot of buzz surrounding this movie as well.

The movie would seem a little to stiff to strike a cord with movie audiences.






Arthur Christmas

I have seen trailers for this movie. It seems like one of this disposable holiday kid flicks to get children to drag their parents along.

Tuesday, November 22, 2011

Trailer Tuesday - 11/22/2011

Once again, a slew of trailers have been released for our viewing pleasure. Let's take a peek at them, shall we?



I know that first trailer of Tarsem Singh's upcoming rival Snow White film, "Mirror, Mirror" came out on the same day as of the last post. I didn't want confuse you into thinking that they are the same movie. Far from it. Snow White (Lily Collins) is chased by the Evil Queen, inexplicably played by Julia Roberts. That cutie Armie Hammer is in the movie as the Prince and Nathan Lane as the Queen's manservant, Brighton. It opens March 16, 2012.



The second trailer for the next sappy, syrupy Nicholas Sparks adaptation, "The Vow" has been released. Urgh! Why do people get sucked into this bullshit over and over again? Sparks alum Rachel McAdams (The Notebook) and Channing Tatum (Dear John) comes together about a couple gets into a car accident. The wife loses the memories of their time together and he tries to make her fall in love with him again. It opens February 10, 2012.



Woody Harrelson and Ben Foster reunite with "The Messenger" director, Oren Moverman for what is being touted as the movie with the most corrupt cop ever put on screen. That is a big statement to say the least. Harrelson plays Dave Brown, a veteran police officer in 1990s LA. His life is spiraling out of control. The movie has all star cast of Ice Cube, Anne Heche, Cynthia Nixon, Ned Beatty, Robin Wright, Steve Buscemi and Sigourney Weaver. It opens January 27, 2012 wide.



"Gone" seems like the kind of disposable movie that would typically come out in the vast wasteland between January to April. It deals with Jill (Amanda Seyfried) who tries to find a serial killer that kidnaps her sister Molly (Emily Wickersham) who kidnapped her years earlier. Whatever. The movie opens February 27, 2012.



I am surprised that nobody is reporting about the first trailer for Pixar's upcoming movie, "Brave". People have been buzzing about this movie when the first images of the movie came out. the movie follows a young girl named Merida who defies her family's tradition to be a warrior in medieval Scotland. It opens Summer 2012.

Saturday, November 19, 2011

The Maltese Falcon

The Maltese Falcon (1941)

Currently #105 of Top 250 Films on IMDb
(As of this posting)

Directed by John Huston

Written by John Huston
Based on the novel by Dashiell Hammett

Stars: Humphrey Bogart, Mary Astor, Peter Lorre, Sydney Greenstreet and Elisha Cook Jr.

The Maltese Falcon is one of those staple movies that have been in the lexicon of film goers for seventy years since it came out. I just watched this three Academy Award for Best Picture, Best Adapted Screenplay and Best Supporting Actor for Greenstreet. For john Huston's directorial debut, I did not disappoint.

True to it's film noir roots the movies starts with the murder of private detective Sam Spade's (Bogart) partner, Miles Archer (Jerome Cowan) when he was trying to tail a prep. The woman that hired the team, Brigid O'Shaughnessy (Astor) is being exposed as being a part of a conspiracy that have innocent people killed  because of a priceless Maltese falcon statue made in the 16th century.

From the word go this movie have you going on a wild roller coaster ride that leads to the satisfying conclusion.

I was surprised  that "deer in the headlights" Peter Lorre was in the film as Joel Cairo. A lot skinner I might add. Bogart played spade like an anti-hero. he is not likable, but he is charming enough enough to make you forgive his transgressions. Mary Astor as the femme fatale was fine. I don't see why everyone wants to be with her. Greenstreet as the "antagonist" of the movie, Gutman was a little weird. He was nominated for an Oscar. I don't see it, but standards were different back then.

My favorite part of the movie was the dynamic between Spade and Gutman's young hitman, Wilmer Cook (Cook, Jr.) Spade treated Wilmer like a gnat that needed to be swatted. I loved the banter between them.

The movie was a delight to see the twists and turns, the anger and betrayal. Easy, breezy, beautiful, Cover Girl.

My Rating:

Friday, November 18, 2011

Final Impressions - 11/18/2011

This week is very light on the new releases. Um... yeah.

The Twilight Saga: Breaking Dawn: Part 1

Holy shit! They are breaking this movie up into two parts. Are you fucking me? Do Twihards want to see more of this insipid "romance"?

Summit tries to suck money money out of the American public. they are the real bloodsuckers.

I saw the first movie. It was awful. I don't care about these movies. I have no interest with these brooding assholes. I can't wait for 2013. No more of these movies! YAY!!!!






Happy Feet 2

I have seen bits of the first movie. Not memorable.

So, it's another sequel.

What else can I say?

Tuesday, November 15, 2011

Trailer Tuesday - 11/15/2011

It's that time once again for taking a peeking at the latest trailers that Hollywood has bestowed upon us.



First is the sequel to "Journey to the Center of the Earth", "Journey 2: The Mysterious Island." The teaser trailer tells about Josh Hutcherson dragging Dwayne Johnson to Mysterious Island that was told by Jules Verne in his classic book. He wants to search for his long lost grandfather, played by Michael Caine. It looks like another throwaway flick. It opens February 2012.



Next, "Snow White and the Huntsman", one of many fairy movies that are about to be released in the coming year. It twists the tale of Snow White (Kristen Stewart) a bit to tell the tale of the Evil Queen (Charlize Theron) wanting eternal life. She has to consume the heart of Snow White. She calls a hunter (Chris Hemsworth) to hunt her down. By the looks of the trailer, it's going to be a major blockbuster when it open June 1, 2012.



The second trailer for Steven Soderburgh's film, "Haywire" has been released. I saw the trailer on TV and I was less than impressed with it. It seems like another operative double coursed by their employer. It opens January 20, 2012.



Another cliched movie with Jason Statham as the lead. It's called "Safe", a cop, Luke Wright tries to protect a little girl for corrupt cops and gangsters. YAWN! It comes out March 2, 2012. [UPDATE: The movie has been pushed back to April 27th.]



I betcha good money that people were creaming themselves when the full trailer of the highly anticipated film adaptation of the book, "The Hunger Games" was released. I know about the book. Have not read it. My understanding is that it is like "Battle Royale" for Americans. It opens March 23, 2012.



Finally, we end on the latest Meryl Streep vehicle that tries to give her her third Oscar. The UK trailer for the "The Iron Lady" has been released. I don't know that much about former Prime Minister Margret Thatcher. I wonder will Americans be interested to see a movie about a British politician. It opens December 16, 2011 in the US, January 6th in the UK.

Monday, November 14, 2011

M - The Criterion Collection

M - Eine Stadt sucht einen Mörder (1931)


Currently #52 of the Top 250 Films on IMDb
(As of this posting)


Directed by Fritz Lang


Written by: Thea von Harbou and Fritz Lang
Based on the article by Egon Jacobson


Stars: Peter Lorre, Otto Wernicke,  Theodor Loos and Inge Landgut


I always wanted to see M,  even though I knew very little about the movie. It is one of top film voted on by users that have seen it. The movie does not disappoint for the most part.


The story follows a suspected child killer, Hans Beckert (Lorre) as he is pursued by all sides. The police want to arrest him and put him on trail, the public wants to crucify him and a bunch of hoods have to deliver street justice on him.


Not being familiar with German films, I was caught off guard with the way that the people were interacting with each other. The beginning of the movie was a slow deliberate burn to add to the tension of the latest victim of Beckart, Elsie Beckmann (Landgut) rocks a small neighborhood. Then, it became chaotic with the different people shouting at each other. It was hard to keep up with what was going.


When the witch hunt focuses in on Beckert, the movie began to take an interesting turn. It dealt more with this disturbed man that is constantly in a "deer in headlights" mode that we feel what it happening to him.


The movie takes an interesting look at the psyche of the human condition. You almost feel sorry for this monster that killed nine little girls as the angry mob want to give him his comeuppance. I also felt the anger from the crowd towards the man as he could get away with murder unless someone stops him.


It is a relevant piece about what is right and wrong. Is there a gray area? Is justice blind?


The movie certainly got better as it went along and I was glad that I stayed on the ride.


My Rating:

Friday, November 11, 2011

Final Impressions 11/11/11

It's that time ladies and gents for Hollywood to release another mixed bag of movies for you to consume. Also, today is 11-11-11. Everybody is going apeshit over it. Give me a break. Here are the movies that are opening today.

Directed by Darren Lynn Bousman
11-11-11

Speaking of a movies that is going apeshit, we have the latest from the director that gave us the glorious masterpieces, Saw 2, 3 and 4, Darren Lynn Bousman.

This horror flick is about a man that survives a car accident at 11:11. Then, strange events happens around 11-11. The date 11-11-11 is supposed to bring an evil unto the world. You know the drill.

Didn't people say the same thing when the remake of The Omen came out on 6-6-06 that the world was going to end and the devil was coming back?






Directed by Tarsem Singh
Immortals

Who wants to see a bunch of greased up muscle men with swords and shields? Women and gay men will flock at this movie. You still have 300, but this cast is prettier.

The director, Tarsem Singh directed that acclaimed movie, The Fall and The Cell with J. Lo. He has great visual style, but the other aspects of the movie suffer. I don't know what to say about this movie.










Directed by Clint Eastwood
J. Edgar

The Oscar baity movies are amping up with the release of Clint Eastwood's biopic of FBI honcho, J. Edgar Hoover. This is Leonardo DiCaprio's mission to win an Oscar

The movie delves into the his ascension of his status at the FBI, his influence on presidents, his cross dressing and his ambiguous relationship with friend, Carl Tolson (Armie Hammer).

Let the Oscar campaign begin.








Directed by Lars von Trier
Melancholia

Kirsten Dunst have been out of the spotlight for so long that I was surprised that has a movie out. It's a Lars von Trier movie. You know that his characters are going to be happy-go-lucky, don't have a care in the world and live happily ever after. (You know I'm kidding. Right?)

Kirsten won the Best Actress Award at the Cannes Film Festival. That should say something. Right? Maybe. No. Not at all.









Directed by Dennis Dugan
Jack and Jill

Why on God's green earth would Adam Sandler do this movie? Seriously. Write a comment about who would possess somebody to make this movie.

This is Adam Sandler's version of Norbit. The straight guy and the annoying, outrageous drag version of him.

This looks so unfunny, unimaginative and possibly a waste of your time and money.

Entre les murs

The Class (2008)

Directed by Laurent Cantet

Written by Laurent Cantet, Robin Campillo and François Bégaudeau
Based on the novel by  François Bégaudeau

Stars: François Bégaudeau, Esmeralda Ouertani, Rachel Regulier and Franck Keïta.

The Class was one of the front runners to win the Academy Awards for Best Foreign Language when it was beaten by Japan's entry, Departures. I heard nothing, but great things about this movie.

A movie podcast that listened to, Cinebanter, did show on this movie where they thought that the movie felt false to them since they were working in the school system as well. I have to agree with their sentiments.

The author of the book, François Bégaudeau plays François Marin, a idealistic French teacher that tries to inspire a group of immigrant students in a trouble school, Dolto High.

Going into this movie I had some high expectations with it that I would be inspired or feel some response to what I was seeing on screen, but I didn't. The movie is shot in a documentary style that some people find refreshing. I find that annoying.

Being that Bégaudeau was the author of the book and was cast as essentially himself, he was play it straight. Playing it straight doesn't make a compelling movie for the audience to see. It felt mundane and formulaic. We have seen those movies where the teacher inspire the students to greatness.

I wish I knew what the point of the movie truly is, because you don't know that much about the teacher or the  melting pot of students that is in Marin's class. You don't connect with them on any level.

The movie was empty, but there was a few moments that I could drawn into the story when the clash between teacher and students become apparent. That was it.

My Rating:

 

Wednesday, November 9, 2011

Flix Rant - I'm Done With You, Ratner!

I may be a little late to the party with this news story but I have something to say about the insensitive comments made by Brett Ratner during a screening to his latest shitacular movie, Tower Heist.

He said during the event that "rehearsals are for fags." Really? If you don't like rehearsals, that's fine. Do what you think is best. Do you have to say a homophobic slur about something that you don't do? What the fuck, man?

What were you thinking? You know what? You weren't thinking. A word like that should not be in your vocabulary.

Now, that the shit has hit the fan. Brett Ratner resigned from being a producer of the upcoming Oscars hosted by Eddie Murphy.

Here is what he said:

An Open Letter to the Entertainment Industry from Brett Ratner
Dear Colleagues,
Over the last few days, I’ve gotten a well-deserved earful from many of the people I admire most in this industry expressing their outrage and disappointment over the hurtful and stupid things I said in a number of recent media appearances. To them, and to everyone I’ve hurt and offended, I’d like to apologize publicly and unreservedly.
As difficult as the last few days have been for me, they cannot compare to the experience of any young man or woman who has been the target of offensive slurs or derogatory comments. And they pale in comparison to what any gay, lesbian, or transgender individual must deal with as they confront the many inequalities that continue to plague our world.
So many artists and craftspeople in our business are members of the LGBT community, and it pains me deeply that I may have hurt them. I should have known this all along, but at least I know it now: words do matter. Having love in your heart doesn’t count for much if what comes out of your mouth is ugly and bigoted. With this in mind, and to all those who understandably feel that apologies are not enough, please know that I will be taking real action over the coming weeks and months in an effort to do everything I can both professionally and personally to help stamp out the kind of thoughtless bigotry I’ve so foolishly perpetuated.
As a first step, I called Tom Sherak this morning and resigned as a producer of the 84th Academy Awards telecast. Being asked to help put on the Oscar show was the proudest moment of my career. But as painful as this may be for me, it would be worse if my association with the show were to be a distraction from the Academy and the high ideals it represents.
I am grateful to GLAAD for engaging me in a dialogue about what we can do together to increase awareness of the important and troubling issues this episode has raised and I look forward to working with them. I am incredibly lucky to have a career in this business that I love with all of my heart and to be able to work alongside so many of my heroes. I deeply regret my actions and I am determined to learn from this experience.
Sincerely,
Brett Ratner
After he delivered that half-assed apology via Twitter, that is least thing that he should do.

I have defended this prick for years, because people think that he is a hack director that fucked up the "X-Men" franchise. I gave him the benefit of the doubt, but now I know that people were right about him. What an asshole.

Tuesday, November 8, 2011

Trailer Tuesday - 11/8/2011

I  wanted to create a new ongoing series about the latest trailers that have been released over the past weekend and give my impressions of them. There is a mixed bag this week.



Here is the "fourth" installment of the American Pie series of films. I guess those shitty straight-to-DVD movies don't count. Shame. Everybody from the original movie are reprising their roles. Some have grown up and some have stayed the adolescent that they were.

The premise is that the graduating class of 1999 are coming together for a blowout party together. I just wonder how they are gonna reunite at year thirteen. Whatever.

It's slated for release in April 2012.



Michael Fassbender reunited with the director that made him a star, Steve McQueen with their latest collaboration, Shame.

Fassbender plays Brandon, a NYC man that is living with sexual compulsion disorder. His life is thrown for a loop when his younger sister, Sissy (Carey Mulligan) moves into his apartment.

The movie opens on December 2nd.



The House of the Devil director, Ti West, delivers another suspenseful movie about a New England hotel called The Yankee Pedlar Inn is on the verge of closing its doors. The last employees there, Clarie and Luke (Sara Paxton, Pat Healy) want to investigate at the supposed haunting taking place in the inn. When a medium Leanne Rease-Jones (Kelly McGinnis) comes to invoke the spirits. Things get really strange.

The movie opens February 3, 2012



Project X is the movie that is produced by the Hangover director, Todd Phillips. It is the high school party to end high school parties. This is pretty much the premise.

The movie opens March 2012.



I saw the red band trailer of the big screen adaptation of the 1980s television show, "21 Jump Street".  My first thought was "What the fuck is this shit?" This is not the 'Jump Street' I know. It's like "Observe and Report meets "Paul Blart". Where the diversity in the cast? It's just a bunch of assholes who are elderly trying to integrate into a high school setting.

Jonah Hill looks gaunt that he lost his bloat. Channing Tatum is being a wooden actor as always.

The movie opens March 16, 2012.



This trailer has blown up on the Internet when it was released. The movie is about Tobin Frost (Denzel Washington), a CIA operative that went rogue and went eluded capture until he was apprehended. He is taken to a safe house in South Africa where a rookie operative, Matt Weston (Ryan Reynolds) has to babysit him. The safe house is comprised and they have to go on the run.

The movie opens February 10, 2012.



Paul Rudd re-teams with "Wet Hot American Summer" director, David Wain for "Wanderlust" with his "Object of Affection" co-star, Jennifer Aniston. I loved "Summer", but this trailer was limp. I didn't laugh at any of the jokes or gags or the R. Kelly references.

The movie opens February 24, 2012.

Monday, November 7, 2011

The Small Back Room - The Criterion Collection

Also known as Hour of Glory (1949)

Directed by  Michael Powell  & Emeric Pressburger

Written by Michael Powell  & Emeric Pressburger
Based on the novel by Nigel Balchin

Stars: David Farrar, Jack Hawkins and Kathleen Byron

Date of Release:  February 23, 1952



The directing team behind the classic film, The Red Shoes comes back with an introspective look of an scientist Sammy Rice (Ferrar) trying to dismantle a bomb in WWII London.

I believe that one of my friends on Facebook recommended this movie, The Small Back Room to me when I praised the introspective journey of the main character with my essay of The Hurt Locker on my other side. seeing the movie on the shelf at the library. I thought it was kismet. I had to watch this movie.

Instead of writing out the plot of the movie, I wanted to give my impressions of the movie. The movie on the surface is like The Hurt Locker, but they are very different. It is a film noir that has all the tropes of a film of that time. The shadows and limited light brightness up the actors faces.

Overall, the movie was a huge disappoint. At first, I have a huge hang up with British movies. I don't know if it's the accents, the way they carry themselves, something turns me off with those movies. First strikes against it.

The second is the tension was not there. In The Hurt Locker, the score, the way that the camera was positioned, the intensity on the actors faces spoke volumes. Back Room was laying there like a dead fish. There was the ending sequence of the movie that redeemed it a little. I wish that the protagonist was fully fleshed out. He was just booze hound genius that is caught up with a secretary, Susan (Byron) with a tin leg. Big whoop!

Third strike was that I thought the movie was plotting along aimlessly. The beginning was incomprehensible. Asking myself,"Who are these people?", "What the hell is going on?". I was lost. Then, when Captain Stuart (Michael Gough) explains about a bomb explosion happening in the streets that killed some civilians, then I knew what was happening. During the middle of the runtime, I was drifting off to sleep. I was checking to see how long the movie was going to last.

Going back to watching movies is not starting off on the right foot.

Rating: 


Thursday, November 3, 2011

Final Impressions - 11/4/2011

I want to create different segments for this new venture of mine. I don't know if most of you know that I have boycotted going to the theater this year. So I decided to take it upon myself to judge the upcoming releases to see if you gonna waste your money or not.

Directed by Todd Strauss-Schulson

There is a THIRD Harold and Kumar movie? Really? Don't get me wrong. I really enjoyed with the stoners went to White Castle. I couldn't care less when they busted out of Guantanamo Bay. Now, they are doing Christmas? In 3D? Are you fucking serious?

Why is this movie coming out in early November? Holy shit!

I think you should be stoned off your ass to enjoy this movie.

Hey, Kal Penn, what happened to your cushy White House job that got your character offing himself on House? It didn't work out.






Directed by Brett Ratner

It's the Bernie Madoff story told in a heist comedy. Yay!

I know that Brett Ratner gets a lot of shit for this movies. I don't know think that this movie is doing him any favors.

A madcap group of would be crooks with Zoolander, Professor Klump, Bueller, the less famous Affleck brother, a generic Hispanic guy and Precious. How could they possibly go wrong?








Directed by Dito Montiel

Have you seen a trailer for this movie? Neither have I.

This is Dito Montiel's third movie with Channing Tatum. I guess, he thinks that Tatum is good luck charm for this movie. Maybe that might have a co-pendent relationship like a certain duos. Say, I don't know (cough) Scorsese/DiCaprio. Ahem. (cough)Tim Burton/Johnny Depp. (cough) Oh excuse me. I need to take a lozenge for that.

I saw A Guide of Recognizing Your Saints. It wasn't a bad movie. It was okay. Fighting was just a way from Tatum to take his shirt off. I'll wait until he shakes his Magic Mike at me. Thank you.






Directed by Philipp Stölzl

Okay. This is a German movie that came out a year ago in Europe. Opening in limited release.

Here is the summary of the movie from IMDb: 

After aspiring poet Johann Wolfgang von Goethe fails his law exams, he's sent to a sleepy provincial court to reform. Instead, he falls for Lotte, a young woman who is promised to another man.
 Does that sound interesting to you? Have at it. I have no opinion.